Jellyfish

BAFTA Award Winning Visual Effects

News

  • Jellyfish win VES award in LA

    Jellyfish Pictures won the VES award for "Outstanding VFX in a broadcast miniseries, movie or special" for the work they did on Episode 1 of the BBC1 series "Inside the Human Body" February 7th at an awards ceremony in LA at the Beverly Hilton.

    Congratulations to the team at Jellyfish led by CG leads Dan Upton and Matt Chandler the team pulled off a great feat, supported by Jonas Ussing, Grant White, Nick Ward, Paul Herbert and Sam Howell. They created some truly stand out work that was recognised by the elite of the VFX industry around the world.

    Jellyfish Pictures were nominated for outstanding visual effects in a broadcast series for Planet Dinosaur and broadcast miniseries for Inside the Human Body by the Visual Effects Society. Nominees were chosen Saturday, January 7 by distinguished panels of VES members who viewed submissions at the FotoKem screening facilities in Burbank and New York, FotoKem’s Spy in San Francisco, and other facilities in London, Sydney, Vancouver and Wellington, NZ.

    “The standard of the creative work that is being considered this year is unbelievably high across all categories,” said Jeffrey A. Okun, Chair of the Visual Effects Society. “The judges faced a huge challenge because all of the work was so far above the norm. We’re honored to have the opportunity to focus the spotlight on the outstanding work that has contributed to some of the highest grossing films and broadcast projects of all time.”

    The VES awards recognise outstanding work in Visual effects internationally and the nominees are chosen by leading practitioners from around the world. They are highly regarded in the Visual Effects community and are recognised as the "Oscars" of the Visual Effects world. Stan Lee will be honored with the VES 2012 Lifetime Achievement Award and Douglas Trumbull with the Georges Méliès Award.
    The 10th Annual VES Awards will take place on Tuesday, February 7, 2012 at the Beverly Hilton Hotel and will air exclusively on ReelzChannel.

    The VES awards are considered the “Oscars” of the visual effects community and are voted for by leading practitioners from around the world. So we are very honoured to be nominated twice for a second year in a row. Congratulations to the teams who contributed to the fantastic VFX work in both these series.

    Mon 9th Jan 2012

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  • RTS Nomination for Inside the Human Body

    Jellyfish Pictures is delighted to announce that Inside the Human Body has received a nomination in the Digital Effects category in the RTS Craft & Design Awards 2010/2011.  The winner will be announced at the Awards evening on Monday 21 November 2011.

    Produced for BBC One, Jellyfish Pictures worked principally on Episode 1 - Creation, which follows the story of conception inside the female body.  In the episode, the viewer travels with the sperm as it makes its epic journey through all the hurdles and challenges presented to it by the female defence systems and the one in twenty million chance it has of successfully fertilising the female egg. We follow it as it is remarkably laid to rest until the egg is ready to receive it. Simultaneously we see the egg being formed in the ovaries and its release and journey down the fallopian tubes where it eventually meets the one successful sperm at its moment of calling.

    In a discussion with Radio 4's Mark Lawson, Science Journalist and Presenter Dr Adam Rutherford said: "I've spent a lot of my life looking at representations of the inside of the human body, both healthy and diseased, and I can't think of a more striking example of the CGI that they've used in this series."

    Fri 21st Oct 2011

  • RTS Talk on Planet Dinosaur

    Wednesday 9th November - The Royal Television Society has invited the BBC and Jellyfish Pictures to discuss how they made Planet Dinosaur. The event is open to anyone interested and will be held at PRS for Music, 29-33 Berners Street, London W1 from 7pm. Nigel Paterson (Series Director), Andrew Cohen (Executive Producer) and Philip Dobree (Jellyfish Pictures) will be discussing the making of the series and answering questions. Please visit the RTS website for more details.

    Thu 6th Oct 2011

  • Impressive Ratings and Strong Reviews for Planet Dinosaur

     RATINGS

     

    The first episode of Planet Dinosaur was watched by an audience of over SEVEN MILLION viewers!  The cumulative/consolidated figure across BBC One, BBC HD, BBC Three and iPlayer currently stands at a hugely impressive 7.2 million! 

     

    REVIEWS

     

    Where this Top Trumps TV scores over previous digitised dinothons is in the detail: the little puffs of dust kicked up by a stalking bradycneme, and the waving fronds of a fern being snacked on by a veggie-saur.  The sound design is vivid, too, from the crumpling flap of a pterosaur on the wing to the weird roar of a pot-bellied nothronychus, which sounds like a pig vomiting.”  ~  Radio Times

     

    If you thought amazing special effects and graphic fight scenes were just for over-18 video games and movies, think again!  Tune into (Planet Dinosaur) and you'll get fights and CGI thrills galore. This captivating documentary has a serious bite!”  ~  What’s On TV

     

    Episode three, and we get to the real meat of the series – the carnivores…… Once again, terrific CGI brings this lost world fully to life.~ Telegraph (28/09/11) 

     

    You can’t go wrong with an episode entitled Last Killers …. Expect the usual splendid rendering and bucket loads of blood.~ Metro (28/09/11)

     

    What sets Planet Dinosaur apart, and what I enjoyed most, is the fact that a modicum of science is woven into each episode to back up the different vignettes being presented ... While I agree that Planet Dinosaur is not that perfect dinosaur documentary that we have all been hoping for, it is still far better than just about anything that I have seen lately. We’re always going to have bloodthirsty theropods roaring and slashing at everything that moves—nature documentaries of all kinds are dominated by violence—but accepting that doesn’t mean that we have to give up on trying to educate while we entertain. Planet Dinosaur shows one way that it can be done, and I look forward to seeing the remainder of the series.” ~ Brian Switek, Smithsonian.com

     

    Planet Dinosaur was one of those increasingly rare curiosities – a documentary with no celebrity cavorting or rambling interviews. With John Hurt narrating, it felt reassuringly undumbed and old-school, despite the latest CGI and imaging technology and dinosaurs tearing lumps out of one another. And what monsters – especially the fish-eating one that looked like a T-Rex with a crocodile's head ................full marks for cramming depth and entertainment into a pre-watershed half an hour.”  ~ Guardian

     

    John Hurt was on throaty form narrating Planet Dinosaur which matched two giant predators, Spinosaurus and Carcharodontosaurus against one another in Africa 95  million years ago ..... Their combat was a mighty, computer-generated thing which may well have been the best rejuvenator, if not infantiliser, I’ve ever come across. I watched it with my four-year-old son and we pronounced it wonderful in every respect.” ~ Telegraph

     

    “Monstrous fun is on offer in BBC's Planet Dinosaur and the giants that once ruled the planet now rule the small screen ..... Planet Dinosaur offers an entertaining mix of dino action and facts that highlights the brutal fight for survival. But it's the dinosaurs themselves that steal the show. They are a monster hit.”. ~ Coventry Telegraph

     

    "I'm not sure whether anything you see in these programmes isn't the product of a hard disk. It looked at one point as if a real crocodile had been montaged into a fight sequence and there are moments when the graphics seem to include photographs of real fossil remains, but it's all so polished and jazzed up that it's hard to tell." ~ Independent

     

    This spectacular new series uses the latest technology to bring recent dinosaur discoveries to life.”  ~  Observer

     

    Dinosaur fans are in for a treat with this new series looking at a new generation of beasts that have been discovered over the last 20 years ... brilliant CG effects ....”  ~  Sunday Express

     

    Twelve years have elapsed since the BBC’s groundbreaking Walking With Dinosaurs, so here’s an update, which fills us in on the new scientific discoveries of the past few years and also dazzles us with some sensational new CGI – every breath, every sinew, every scale can be felt on these renderings.”   ~  Metro 

     

     “ ... spectacular new series...”  ~ Mail on Sunday

     

    This new six-part series feeds our apparently insatiable fascination with dinosaurs by presenting us with the latest scientific research on the ancient beasts, and some flashy CGI.  Watching the ferocious Carcharodontosaurus stalk and cut down its prey with shark-like teeth is gruesome fun, and the gory visual content .....  should appeal to a younger audience. But there’s enough fact balancing out the fantasy to keep the rest of us watching too.”  ~  Telegraph

    Wed 14th Sep 2011

  • Ronaldo Tested to the Limit

    Jellyfish recently completed some graphic work on Ronaldo Tested to the Limit, a one-hour documentary for Sky Sports 2 about one of the world's greatest footballers, Cristiano Ronaldo, showing what makes him one of the best footballers of his generation. The doc takes an in-depth look at the skills and strength required for the footballer to perform at the very highest level.  The Jellyfish team were responsible for a number of the graphics used throughout the programme. 

    Says Jellyfish Creative Director, William Rockall: "It was great to be working on the VFX for Hatrick's Plum Pictures on this extraordinary programme. The imaginative studio tests and experiments conjured up by Director Mike McDowall really do prove he has the perfect physique for football.  It's no wonder his legs are insured for over €100 million."

    Thu 8th Sep 2011

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